2002_SUPER(M)ART
SUPER(M)ART2002Curatorman Inc. For such a typically upbeat artist, Navin Production’s SUPER(M)ART series, which began with the 2002 installation at Paris’s Palais de Tokyo, was a pessimistic parody in its projection of the future condition of art. Sceptical over the proliferation of biennale “franchises” being set up everywhere, and the connection-based mentality of art organisers, the project intimated that art is […]