Battered and bruised after enduring two extreme European winters, the two broken tuk-tuks were parked up in London as exotic art refugees from the Orient. One of them was displayed inside the gallery showing footage from different cities across the screens on the three cameras in the back seat, while the other was parked in front of an agn’s b. store in town. A new poster was made revealing the London chapter in Kosit’s love life, where he bumps into a female curator who was about to get married. The large reproductions were posted along the fence at a public park near the Hayward together with posters from past venues.